Literary Collaboration and Control
Citation: Hill, Benjamin Mako. 2003. “Literary
collaboration and control: A socio-historic, technological and legal
analysis.” Bachelors Thesis, Amherst, Massachusetts: Hampshire
College http://mako.cc/academic/collablit/.
This project was my final undergraduate project (Division
III [1]) at Hampshire College. It was
completed in April, 2003 and passed by my committee in the first week
of May. The project sought to leverage an analysis of collaborative
literary creation from historical, technologic al, and legal
philosophical perspectives toward a critique of individualized
literary control. It focuses on the way that literary collaboration is
affected by social conceptions of authorship, the technological terms
on which we communicate, and copyright.
I have received help and advice from a wide range of
individuals. At the top of this list are the members of my academic
committee:
The project has four chapters:
- An Introduction that begins with a
story, presents the terms of the argument, and outlines the rest
of the project.
-
A historical research paper surveying collaborative
creation and control in the past. It provides background
for the last two chapters and demonstrates the importance and
power of collaborative work.
-
A technological analysis describing ways that
society can utilize existing technology to facilitate
meaningful collaboration. It introduces a methodology for
the evaluation of collaborative literary technology and
demonstrates its effectiveness through several case studies.
-
A legal philosophical analysis describing both why
collaboration is essential and how society must critique
existing systems of information ownership and control in the
process of creating, promoting, and fostering a new,
meaningful collaborative literary environment.
Finished Document
This is the full document. In addition to the four chapters
described above and a bibliography, I've included Software
(,) Politics and Indymedia (see this page for
additional formats) as an appendix. (Version 1.0 - Updated Wed,
7 May 2003)
Available: pdf | html
|html
(single page) | txt | ps | ps.gz |
rtf |
source
(tar.bz2) | source
(tar.gz)
Related Documents
Preliminary Papers, Notes, and Documents
Due to the scope and length of this project, I've posted
papers and notes at several intermediary steps.
THESE ARE UNPUBLISHED DRAFTS. PLEASE DO NOT CITE OR QUOTE
THEM WITHOUT PERMISSION FROM ME. Ask first and I'll be
willing to let you do almost anything with them.
- Obsolete - A Meta-History of Collaborative
Literary Creation and the Politics of Control - First
Draft: The paper is the product of my research into
collaborative literary creation and control and is focused
in a handful of very high-profile cases. It begins making
some of the big claims and major questions that I hope to
make and raise in the larger project. There still major
shortcomings and organizational issues that I feel need
addressing. (updated Thu, 2 Jan 2003)
Available: poscript | PDF | HTML | SGML source
(gzipped)
- Obsolete - Historical Paper
- Notes and Outline: This outline forms the basis for the
Meta-History linked above. This short outline describes
some of the goal for the historical project, and in, the
process, the goals of the larger project as well. The second
half proposes a particular structure for the project. As
always, I welcome any feedback anyone has. (updated Wed,
13 Nov 2002)
Available: postscript | PDF | HTML |SGML source
(gzipped)
- Obsolete - Models of Historical Literary
Collaboration: This short paper (~6 pages) explores the
nature of literary collaboration employed in the creation of
the King James Bible and the short stories of Raymond
Carver. I want to use the next revision of this paper to
explore the nature of literary collaboration before, during,
and after the creation of copyright. The essay will try to
demonstrate the persistent nature of collaboration and explore
the way that firm control has limited collaboration or changed
the way it must be articulated. Currently, I am working on
this project as part of a University of Massachusetts
graduate seminar on The
History of Books and Printing. (updated Fri, 1 Nov
2002)
Available: postscript | PDF | HTML |SGML source
(gzipped)
Bibliography: postscript |
PDF
Proposals & RFCs
The following current version of the project proposal are
posted:
[1] During their final year at Hampshire College, students
work exclusively on an intensive advanced studies project called
Division III.
This project began as my Division III
project.