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<channel>
<title>Copyrighteous   </title>
<link>http://mako.cc/copyrighteous</link>
<description></description>
<language>en</language>
<item>
  <title>Date Arithmetic
</title>
  <link>http://mako.cc/copyrighteous/20120513-01</link>
  <description><![CDATA[
<p>When I set an alarm, my clock, now running on <a class="reference external" href="http://mako.cc/copyrighteous/20091017-00">the computer in my
pocket</a>, is smart enough to tell me how much time will pass until
the alarm is scheduled to sound. This has eliminated the old problem
of sleeping past meetings before being surprised by an alarm precisely
half a day after I had originally planned to wake.</p>
<p>The price has been having to know exactly how little I will sleep: a
usually depressing fact that had previously been obscured by my
difficulty doing time arithmetic in my most somnolent moments.</p>

]]></description>
</item>

<item>
  <title>Diamond Clarity
</title>
  <link>http://mako.cc/copyrighteous/20120513-00</link>
  <description><![CDATA[
<blockquote>
I3→I2→I1→SI2→SI1→VS2→VS1→VVS2→VVS1→IF→FL</blockquote>
<p>The <a class="reference external" href="https://en.wikipedia.org/wiki/Diamond_clarity#Gemological_Institute_of_America_.28GIA.29">GIA diamond clarity scale</a>, shown above, is rather opaque.</p>

]]></description>
</item>

<item>
  <title>My Setup
</title>
  <link>http://mako.cc/copyrighteous/20120412-00</link>
  <description><![CDATA[
<p><a class="reference external" href="http://usesthis.com/">The Setup</a> is an awesome blog that posts of interviews with nerdy
people that ask the same four questions:</p>
<ol class="arabic simple">
<li>Who are you, and what do you do?</li>
<li>What hardware are you using?</li>
<li>And what software?</li>
<li>What would be your dream setup?</li>
</ol>
<p>I really care about my setup so I am excited, and honored, that they
just posted <a class="reference external" href="http://benjamin.mako.hill.usesthis.com/">an interview with me</a>!</p>
<p>I answer questions about my setup often so I tried to be comprehensive
with the hope that I will be able to point people to it in the future.</p>

]]></description>
</item>

<item>
  <title>OH Man!
</title>
  <link>http://mako.cc/copyrighteous/20120405-00</link>
  <description><![CDATA[
<p>Since installing a whiteboard in our kitchen, conversations at <a class="reference external" href="http://acetarium.com">the
Acetarium</a> have been moving in new and interesting directions.</p>
<p>For example, <a class="reference external" href="http://mika.im/nikki/">Mika</a> and I recently noticed that, when rotated correctly, the
<a class="reference external" href="https://en.wikipedia.org/wiki/Skeletal_formula">skeletal formula</a> for 2,3-dimethyl-2-butanol looks pretty friendly!</p>
<img alt="/copyrighteous/images/2,3-dimethyl-2-butanol-clean.png" src="/copyrighteous/images/2,3-dimethyl-2-butanol-clean.png" />

]]></description>
</item>

<item>
  <title>A Manhattan Project for Cliché Collection
</title>
  <link>http://mako.cc/copyrighteous/20120318-00</link>
  <description><![CDATA[
<p>This weekend, I launched an extremely ambitious effort to collect
evidence of extremely ambitious efforts. The result was a short
program that <a class="reference external" href="https://encrypted.google.com/search?q=%22manhattan%20project%20for%22%20-bomb">searched the web</a> and revealed the:</p>
<ul class="simple">
<li>Manhattan Project for the 21st century</li>
<li>Manhattan Project for Advanced Batteries</li>
<li>Manhattan PRoject for AI</li>
<li>Manhattan Project for AIDS</li>
<li>Manhattan Project for Alzheimer's</li>
<li>Manhattan Project for autism research and treatment</li>
<li>Manhattan Project for Big Cats</li>
<li>Manhattan Project For Bio-Defense</li>
<li>Manhattan Project for Biomedicine</li>
<li>Manhattan Project for Bioterrorism</li>
<li>Manhattan Project for cancer</li>
<li>Manhattan Project for Cellulases</li>
<li>Manhattan Project for chemists</li>
<li>Manhattan Project for climate change</li>
<li>Manhattan Project for Cold Fusion</li>
<li>Manhattan Project for computers</li>
<li>Manhattan Project for creativity</li>
<li>Manhattan Project for Cyber-defenses</li>
<li>Manhattan project for Detroit</li>
<li>Manhattan Project for the development of post-nuclear superweapons in seven fields</li>
<li>Manhattan Project For Economics</li>
<li>Manhattan Project for the economy</li>
<li>Manhattan Project for ending the prostate cancer as a socio-economic crisis in our country and a public health disaster among African American men</li>
<li>Manhattan Project for Energy</li>
<li>Manhattan Project for Energy Independence</li>
<li>Manhattan Project for the Environment</li>
<li>Manhattan Project for Excellence in Radiochemistry</li>
<li>Manhattan Project for exploiting extraterrestrial technologies and communication</li>
<li>Manhattan Project for Finance</li>
<li>Manhattan Project for fluoride damage</li>
<li>Manhattan Project for fuel</li>
<li>Manhattan Project for Fuel Cell Manufacturing</li>
<li>Manhattan Project for future generations</li>
<li>Manhattan Project for genetics</li>
<li>Manhattan project for global hunger</li>
<li>Manhattan Project for Global Peace, Prosperity and Stability</li>
<li>Manhattan Project for Green Innovation</li>
<li>Manhattan Project for Guitar Exercise</li>
<li>Manhattan project for Hawkeyes</li>
<li>Manhattan Project for a healthy nation</li>
<li>Manhattan Project for Homeland Security</li>
<li>Manhattan Project for Iowa</li>
<li>Manhattan Project for IT</li>
<li>Manhattan Project for Legal Education</li>
<li>Manhattan Project for life</li>
<li>Manhattan Project for Maine,</li>
<li>Manhattan Project for materials that could resist corrosion by fluorine or its compounds</li>
<li>Manhattan Project for medical treatment in the field of obesity</li>
<li>Manhattan Project for Michael</li>
<li>Manhattan Project for Miracles</li>
<li>Manhattan Project for modular instruments</li>
<li>Manhattan Project for National IDs</li>
<li>Manhattan Project For Natural Disasters</li>
<li>Manhattan Project for the NES</li>
<li>Manhattan Project for Network Computing</li>
<li>Manhattan Project for network security</li>
<li>Manhattan Project for the Next Generation of Bionic Arms</li>
<li>Manhattan Project for online identity</li>
<li>Manhattan Project for Our Time</li>
<li>Manhattan Project for Pb-Free Electronics</li>
<li>Manhattan Project for Public Diplomacy</li>
<li>Manhattan Project for Racial Achievement Gap</li>
<li>Manhattan Project for real time biomedical research on human populations</li>
<li>Manhattan Project for the restoration of motor function</li>
<li>Manhattan Project for a revival of the Sacrament of Penance</li>
<li>Manhattan Project for simulation with pseudo-random numbers</li>
<li>Manhattan Project for the social and behavioral sciences</li>
<li>Manhattan Project for stove testing and design</li>
<li>Manhattan Project for systems engineering</li>
<li>Manhattan Project for Texas Water</li>
<li>Manhattan Project for transforming patient care for men and ending prostate cancer</li>
<li>Manhattan Project for the war on terror</li>
<li>Manhattan Project for Wildcat Service Corp</li>
<li>Manhattan project for wind, electric, solar, geothermal, hydro and other renewable sources of enengy we've not even thought of yet</li>
<li>Manhattan Project for XBLA</li>
<li>Manhattan Project for yourself</li>
<li>Manhattan Project for Zinnias</li>
</ul>
<p>[Previously in this series: <a class="reference external" href="http://mako.cc/copyrighteous/20071024-00">frailty</a>, <a class="reference external" href="http://mako.cc/copyrighteous/20081029-00">the invisible hand</a>,
<a class="reference external" href="http://mako.cc/copyrighteous/20110926-00">science as dance</a>.]</p>

]]></description>
</item>

<item>
  <title>Half the Battle Against DRM
</title>
  <link>http://mako.cc/copyrighteous/20120306-00</link>
  <description><![CDATA[
<p>As the free software and free culture movements have sat quietly by,
DRM is now well on its way to becoming the norm in the electronic book
publishing industry.</p>
<p>The free culture movement has failed to communicate the reality of
DRM and, as a result, millions of people are buying books that they
won't be able to read when they switch to a different model of ebook
reader in the future. They are buying books that will become
inaccessible when the DRM system that supports them is shut down -- as
we've already seen with music from companies including <a class="reference external" href="http://boingboing.net/2008/09/26/walmart-shutting-dow.html">Wal*Mart</a>,
<a class="reference external" href="http://opinion.latimes.com/bitplayer/2008/07/yahoo-pulls-and.html">Yahoo</a>, and <a class="reference external" href="http://arstechnica.com/microsoft/news/2008/04/drm-sucks-redux-microsoft-to-nuke-msn-music-drm-keys.ars">Microsoft</a>. They are buying books that require that
readers use proprietary tools that lock them out from doing basic
things that have always been the right of a book owner.</p>
<p>Some anti-DRM advocates are, indirectly, part of this problem as they
buy these books and turn to <a class="reference external" href="https://apprenticealf.wordpress.com/2011/01/13/ebooks-formats-drm-and-you-%E2%80%94-a-guide-for-the-perplexed/">shady</a> <a class="reference external" href="http://i-u2665-cabbages.blogspot.com/2009/12/circumventing-barnes-noble-drm-for-epub.html">methods</a> of stripping the
DRM. Buying DRMed books is voting with your wallet for a system that
criminalizes those that insist on living in freedom and will screw us
all in the long run when DRM is the only choice we are offered and
removing the DRM is difficult, unsafe, and illegal.</p>
<p>Buying non-DRMed e-books is a more freedom-friendly alternative for
those that, like me, are excited about not lugging kilograms of paper
around our cities and the world. We can do this at &quot;non-mainstream&quot;
publishers like <a class="reference external" href="https://www.smashwords.com/">Smashwords</a> who <a class="reference external" href="https://www.smashwords.com/about/supportfaq#drm">explicitly reject DRM</a>. Of course,
the big ebook sellers like Amazon, and Barnes and Nobel, and Google
all offer non-DRMed books. But <em>none of the major ebook retailers
explicitly reveal the DRM status of locked down books before
purchase</em>.</p>
<p>On Amazon, there are <a class="reference external" href="http://booksprung.com/yes-there-are-drm-free-ebooks-on-the-kindle-store">some cryptic signs and signals</a> that, if you
understand them, suggest the absence of DRM. Google and Barnes and
Nobel currently offer no way to know if a book is DRMed without buying
it first and <a class="reference external" href="https://groups.google.com/a/googleproductforums.com/forum/#!category-topic/books/google-ebooks-getting-started-and-buying/W2Iu4RaUajI">questions</a> <a class="reference external" href="https://groups.google.com/a/googleproductforums.com/forum/#!category-topic/books/google-ebooks-getting-started-and-buying/KQptNEbZyQY">in their</a> <a class="reference external" href="http://bookclubs.barnesandnoble.com/t5/PubIt-Help-Board/How-can-I-tell-if-a-BP-amp-N-ebook-is-DRM-ed/td-p/1149886">support forums</a> go
unanswered.</p>
<p>It's hard to support non-DRM alternatives when we can't recognize
them. It's hard to tell people to not buy DRM ebooks if we can't even
tell them apart. Getting this message through to book buyers -- and
perhaps even to ebook retailers -- seems like a critical first step.</p>

]]></description>
</item>

<item>
  <title>Unhappy Birthday Hall of Shame
</title>
  <link>http://mako.cc/copyrighteous/20120304-00</link>
  <description><![CDATA[
<a class="reference external image-reference" href="http://unhappybirthday.com"><img alt="/copyrighteous/images/no_happy_bday.png" src="/copyrighteous/images/no_happy_bday.png" /></a>
<p>I roll my eyes a little when I think that <a class="reference external" href="http://unhappybirthday.com">Unhappy Birthday</a> is the
document I have written that has been read by the most people. The
page -- basically a website encouraging people to rat on their friends
for copyright violation for singing <a class="reference external" href="https://en.wikipedia.org/wiki/Happy_Birthday_To_You">Happy Birthday</a> in public -- has
received millions of page views and has generated tons of its own
media (including a rather memorable interview of <a class="reference external" href="http://mako.cc/copyrighteous/20080326-00">CBC's WireTap</a>).  At
the bottom of the page I am listed, by name and email, as the
&quot;copyrighteous spokesman&quot; for the initiative.</p>
<p>And since the page has been online, I have received hate mail about
it. Constantly.</p>
<p>Since the email only goes to me, I thought it might be fun to share
some of these publicly. All these messages are quoted verbatim but I
have not included the senders' names. Be warned: the language is often
salty.</p>
<p>This email is years old now but it is probably still my favorite:</p>
<blockquote>
<p>Atrocity and strife run rampant in this world.</p>
<p>Babies are abandoned in dumpsters. Teachers molest students.
Impoverished Indonesians make sneakers for pennies while the spoiled
jackhole in the 30-second commercial makes millions for sinking a
three-pointer and smirking at the camera. Forms of religion are
interpreted as to compel people to strap explosives to their chest
and board buses full of innocents. Boss Tweeds embezzle and get
severance pay while John Q. Workingman gets put out on the street
when the corporation goes belly up.</p>
<p>Out of all these indignities and countless others I haven't the time
to mention, why do you make it your personal crusade to assist in
the flagrant persecution of family restaurants for partaking in the
time-honored tradition of singing &quot;Happy Birthday&quot;? God forbid these
foul brigands bend copyright law in order to bring a smile to
somebody's face.</p>
<p>Food for thought...without the accompanying song.</p>
</blockquote>
<p>Many others strike a defiant, if less poetic, tone:</p>
<blockquote>
<p>Good luck! There are millions of us who refuse to accept the
ridiculous &quot;copyright&quot; on Happy Birthday.  If Time Warner were an
ethical company rather than a greedy megacorp they would do
something truly special and release it into the public domain.</p>
<p>There are some things in this world more important than money.</p>
</blockquote>
<p>Quite a few people notice that my last name is Hill and suspect that I
must be related to the Hill sisters who originally penned the
song. I'm not, to my knowledge, although since Time Warner bought the
rights, it's not clear it would matter:</p>
<blockquote>
<p>I am writing to just let you know how disappointed I am that a large
corporation and others (like the HILL family) are making $2 million
plus for a song that was created over 100 years ago with noone
knowing who created the lyrics!  None of us at our place of
employment could believe this and we certainly won't encourage
people to send money to ASCAP.  It is a shame that ASCAP license
fees aren't used to pay more to up-and-coming artists who I'm sure
need this money alot more than Time Warner.</p>
<p>We all plan to sing Happy Birthday MORE now in public places and if
anyone asks if it is copyrighted we will say &quot;of course not&quot;.  Maybe
this way the song will not die out completely as more and more other
&quot;birthday&quot; songs are being sung.  It would also be nice if your
website cited whose opinion is writing the piece and your obvious
conflict of interest.</p>
</blockquote>
<p>Or another:</p>
<blockquote>
<p>Is it a coincidence that your last name is the same as the last name
of the authors of the song &quot;Happy Birthday?&quot;  You seem to have a
personal monetary motive for your work with the &quot;grassroots project&quot;
you call Unhappy Birthday, and if you do not, your concern is
misplaced all the same.  Whom do you imagine your campaign serves?
And do you realize whom it harms?</p>
<p>I do not question the illegality of performing the copyrighted song
publicly.  And you are correct that most of the public is not even
aware that the song is under copyright.  I think the harm done to
Time Warner and its associates by such public performances is far
outweighed by the joy created when the much-loved happy tune is
shared.</p>
<p>I urge you to ask yourself why you think the immortal Hill sisters
wrote the song in the first place.  It was not to put more money
Time Warner's pocket.  It was, I would argue, for the sake of the
song itself and the happiness it brings when performed (publicly or
otherwise).  Please consider siding with the children and the
artists; let the lawsuits alone.</p>
</blockquote>
<p>Some people suspect the site may be satire, but include insults and
and attacks just in case it isn't:</p>
<blockquote>
I'm trying to figure out if your Unhappy Birthday site is meant to
be in jest.  If so Rofl, and congrats on a hilarious site.  If
you're actually serious, then fuck you Nazi cunts and your corporate
butt buddies.  Thank you for your time.</blockquote>
<p>Or these two alternatives (each were separate emails):</p>
<blockquote>
<p>If this is a joke then it's rather funny. However if this website is
serious then you're a fucking idiot.  Get a life!!!!</p>
<p>if it is a form of protest, then THANK YOU!  if it is not, then
screw you all!</p>
</blockquote>
<p>One memorable piece of mail was from someone who knew of me from my
activities in the free software and free culture communities and had a
hard time reconciling my work there with the high protectionist
website:</p>
<blockquote>
<p>I was quiet surprised to see your name and email address at the
bottom of the home page of the site Unhappy Birthday.  The site
claims that you are their spokesman.</p>
<p>Is this correct? I do not understand... You have all this Open
Source/ Free Software background and then this site that defends one
of the most controversial copyright issues???</p>
<p>Do you really mean this? Do you want to help Time Warner?</p>
</blockquote>
<p>I've also received probably half a dozen mails that offer some sort of
support! For example, this person liked the website -- and even wanted
to buy one of <a class="reference external" href="http://www.cafepress.com/unhappybirthday">our t-shirts</a> -- but objected to our <a class="reference external" href="http://unhappybirthday.com/no_happy_bday.svg">logo</a>:</p>
<blockquote>
<p>I was going to buy one of your products from your Unhappy Birthday
Shop at CafePress but there's a problem.</p>
<p>I hate emblems that uses human skulls in them.</p>
<p>Being a member of ASCAP I really do support your cause but I can't
buy a product that I would never wear.</p>
</blockquote>
<p>And many people are simply confused asking something like this one:</p>
<blockquote>
So I saw the unhappy birthday site and I'm just a little
confused. Is this a joke or a serious thing?</blockquote>
<p>I usually reply and explain that I have tried to ensure that the site
describes the legal situation around Happy Birthday honestly and
correctly.</p>
<p>That said, the vast majority of messages I receive are unequivocal.
Like this email that I received last week addressed to &quot;you anti-free
speech fascists&quot;:</p>
<blockquote><pre>
         __
        /  \
        |  |
        |  |
        |  |
 __  __ |  | __
/  \/  \|  |/  \
|               \
|                |
|                /
|                \
|                 /
\                /
 |              |
 |              |
</pre></blockquote><p>Half an hour later, the author followed up with a English version of
the same message, set to the tune of happy birthday.</p>
<p>You might think that getting insulted and flipped off by confused
people on the Internet might get me down. It doesn't! I made Unhappy
Birthday because I thought that the fact that something as important
to our culture as <a class="reference external" href="https://en.wikipedia.org/wiki/Happy_Birthday_To_You">Happy Birthday</a> could be owned was
outrageous. Every piece of hate mail means that somebody else --
almost always somebody who isn't a &quot;copyfighter&quot; or a free culture
geek -- is now upset about the current state of copyright too.</p>
<p>Sure, Unhappy Birthday makes me a tiny bit sad about people's ability
to recognize satire. But it makes me <em>really happy</em> about people's
ability to get very annoyed at what they think is the outrageous
control of our culture through copyright. When more people are as mad
as the the people I've quoted above, we will be able to change
copyright into something less outrageous to all of us.</p>

]]></description>
</item>

<item>
  <title>Advice for Prospective Doctoral Students
</title>
  <link>http://mako.cc/copyrighteous/20120217-00</link>
  <description><![CDATA[
<p>There is <em>tons</em> of advice on the Internet (e.g., on the academic
<a class="reference external" href="https://orgtheory.wordpress.com/grad-skool-rulz/">blogs</a> <a class="reference external" href="https://orgtheory.wordpress.com/2012/01/30/sociology-and-management-phd-program-admissions-comments-and-open-thread/">I</a> <a class="reference external" href="https://scatter.wordpress.com/2012/01/30/some-advice-re-advice/">read</a>) for prospective doctoral students. I am <em>very</em>
happy with my own graduate school choices but I feel that I basically
got lucky. Few people are saying the two things I really wish someone
had told me before I made the decision to get a PhD:</p>
<ul class="simple">
<li>Most people getting doctorates would probably be better off doing
something else.</li>
<li>Evaluating potential programs can basically be done by looking at and
talking with a program's recent graduates.</li>
</ul>
<p><strong>Most People Getting Doctorates Probably Shouldn't</strong></p>
<p>In most fields, the only thing you <em>need</em> a PhD for is to become a
professor -- and even this requirement can be flexible. You can have
almost any job in any company or non-profit without a PhD. You can
teach without a PhD. You can write books without a PhD. You can do
research and work in thinktanks without a PhD. You don't even always
need a PhD to grant PhDs to other people: two of my advisors at the
Media Lab supervised PhD work but did not have doctorates themselves!
Becoming a tenured professor is more difficult without a doctorate,
but it is not impossible. There are grants and jobs outside of
universities that require doctorates, but not nearly as many as most
people applying for PhDs programs think.</p>
<p>Getting a doctorate can even hurt: If you want to work in a company or
non-profit, you are usually better off with 4-6 years of experience
doing the kind of work you want to do than with the doctorate and the
less relevant experience of getting one. Starting salaries for people
with doctorates are often higher than for people with masters
degrees. But salaries for people with masters degrees and 5 years of
experience are even higher -- and that's before you take into account
the opportunity costs of working for relatively low graduate student
wages for half a decade.</p>
<p>PhD take an enormous amount of time and, in most programs, you spend a
huge amount of this time doing academic busy work, teaching, applying
for grants or fellowships, and writing academic papers that very
few people read. These are skills you'll need to be a successful
professor. They are useful skills for other jobs too, but not as
useful as the experience of actually doing those other jobs for the
time it takes to get the degree.</p>
<p><strong>Evaluating Graduate Programs</strong></p>
<p>If you are still convinced you need a doctorate, or any graduate
degree for that matter, you will need to pick a program. Plenty of
people will offer advice on how to pick the right program and trying
to balance all the complicated and contradictory advice can be
difficult. Although I love my program and advisors, I've known many
less happy students. Toward that end, there are two pieces of
meta-advice that I wish everybody was told before they applied:</p>
<ol class="arabic">
<li><p class="first">Find recent graduates of the program you are considering, and the
faculty advisor(s) you are planning on working with, and look at where
they are now. Are these ex-students doing the kind of work that you
want to do? Are they at great programs at great universities?</p>
<p>Chances are good that a PhD program and its faculty will prepare
future students to be like, and do work like, the students they
have trained in the past.  Programs that consistently make good
placements are preparing their students well, supporting them,
making sure they have the resources necessary to do good work, and
helping their students when they are on the job market. A program
whose students do poorly, or just end doing work that isn't like
the kind you want to do, will probably fail you too.</p>
</li>
<li><p class="first">If recent graduates seem to be generally successful and doing the
kind of work you want to do, find one who looks most like the kind
of academic you want to become and talk to them about their
experience. Chances are, your faculty advisors will overlap with
theirs and your experience will be similar. Ex-students can tell
you the strengths of weaknesses of the program you are considering
and what to watch out for. If they had a horrible experience,
there's a decent chance you will too, and they will tell you so.</p>
</li>
</ol>
<p>Doing these two things means you don't have to worry about trying to
think of all the axes on which you want to evaluate a program or pour
through admissions material which is only tangentially connected to
the reality you'll live for <em>a long time</em>. What matters most is the
outcomes, of course, because you're be living the rest of your life
for a lot longer than you'll be in the PhD program.</p>

]]></description>
</item>

<item>
  <title>Quasi-Private Resources
</title>
  <link>http://mako.cc/copyrighteous/20120213-00</link>
  <description><![CDATA[
<p><a class="reference external" href="https://public.resource.org/">Public Resource</a> republishes many court documents. Although these
documents are all part of the public record and PR will not take them
down because someone finds their publication uncomfortable, PR <a class="reference external" href="https://public.resource.org/court_cases.html">will
evaluate and honor some requests</a> to remove documents from search
engine results. Public Resources does so using a <a class="reference external" href="http://www.robotstxt.org/robotstxt.html">robots.txt</a> file
or &quot;robot exclusion protocol&quot; which websites use to, among other
things, tell search engine's web crawling &quot;robots&quot; which pages they do
not want to be indexed and included in search results.  Originally,
the files were mostly used to keep robots from abusing server
resources by walking through infinite lists of automatically generated
pages or to block search engines from including user-contributed
content that might include spam.</p>
<p>The result for Public Resource, however, is that PR is now publishing,
in the form of <a class="reference external" href="http://bulk.resource.org/robots.txt">its robots.txt</a>, a list of all of the cases that
people have successfully requested to be made less visible!</p>
<p>In Public Resource's case, this is is the result of a careful
decision; PR makes the arrangement clear in <a class="reference external" href="https://public.resource.org/court_cases.html">on their website</a>.  The
<a class="reference external" href="http://www.robotstxt.org/robotstxt.html">robots.txt home page</a> also explains the situation saying, &quot;the
/robots.txt file is a publicly available file. Anyone can see what
sections of your server you don't want robots to use,&quot;, and &quot;don't try
to use /robots.txt to hide information.&quot;</p>
<p>That said, I've looked at a bunch of robots.txt files on websites I
have visited recently and, sadly, I've found many sites that use
robots.txt as a form of weak security. This is very dangerous.</p>
<p>Some poorly designed robots simply ignore the robots.txt file. But one
can also imagine an evil search engine that uses a web-crawler that
does the opposite of what it's told and <em>only</em> indexes these &quot;hidden&quot;
pages.  This evil crawler might look for particular keywords or use
existing search engine data to check for incoming links in order to
construct a list of pages whose existence is only made public through
a file meant to keep people away.</p>
<p>Check your own robots.txt and ask yourself what it might reveal. By
advertising the existence and locations of your secrets, the act of
&quot;hiding&quot; might make your data even less private.</p>

]]></description>
</item>

<item>
  <title>Internet Immortality
</title>
  <link>http://mako.cc/copyrighteous/20120120-00</link>
  <description><![CDATA[
<p>Kim Jong-Il is gone. That said, he continues to <a class="reference external" href="http://blogs.wsj.com/korearealtime/2011/12/20/will-blog-of-kim-jong-il-looking-at-things-live-on/">live on</a>, looking at
things, on the popular blog <a class="reference external" href="http://kimjongillookingatthings.tumblr.com/">Kim Jong-Il Looking At Things</a> which
continues to be updated with new content from the archives.</p>
<p>It is now joined by <a class="reference external" href="http://kimjongunlookingatthings.tumblr.com/">Kim Jong-Un Looking At Things</a>.  I think I agree
with João Rocha, creator of the original, that the younger Kim <a class="reference external" href="http://newsfeed.time.com/2011/12/20/kim-jong-il-looking-at-things-has-a-tumblr-successor/">seems to
be missing some hard-to-pin-down quality</a> that made the original work
well.</p>

]]></description>
</item>

<item>
  <title>Mystery Hunt
</title>
  <link>http://mako.cc/copyrighteous/20120115-00</link>
  <description><![CDATA[
<p><a class="reference external" href="http://mako.cc/copyrighteous/20070115-00">I've mentioned before</a> that I compete every year in the <a class="reference external" href="http://web.mit.edu/puzzle/www/">MIT Mystery
Hunt</a> -- an enormous, multi-day, round-the-clock <a class="reference external" href="https://en.wikipedia.org/wiki/Puzzlehunt">puzzle
competition</a> held in January at MIT each year.</p>
<p>Last year, <a class="reference external" href="http://articles.boston.com/2011-01-17/news/29342539_1_crossword-puzzles-aha-moment">my team Codex won the hunt</a>. The reward (punishment?)
for winning is the responsibility to write the 100+ puzzles, (and
<a class="reference external" href="https://en.wikipedia.org/wiki/Metapuzzle">meta-puzzles</a>, and meta-meta-puzzles, and theme, and events) and to
put on the whole event the following year.</p>
<p>So over the last year, I've worked with a huge group of folks to put
together <a class="reference external" href="http://web.mit.edu/puzzle/www/12/">this year's hunt</a> which had a theme loosely based on <a class="reference external" href="https://en.wikipedia.org/wiki/The_Producers_%281968_film%29">The
Producers</a>. My own role was small compared to many of my teammates:
I contributed to some puzzle writing and to a bunch of &quot;test-solving&quot;
of candidate puzzles to make sure they were solvable, not <em>too</em> easy,
fun, and well constructed. During the hunt, I visited competing teams,
verified answer submissions, and took advantage of my jet-lag from my
return from Japan on the day of the hunt to work the night shift
distributing items to teams.</p>
<p>To get an idea of what the hunt is like, you can check out <a class="reference external" href="http://web.mit.edu/puzzle/www/12/watson_2_0/written_down/">a puzzle I
wrote for this years hunt</a>. The solution is linked from the corner
of that page.</p>

]]></description>
</item>

<item>
  <title>The Influence of the Ecstasy of Influence
</title>
  <link>http://mako.cc/copyrighteous/20111218-00</link>
  <description><![CDATA[
<img alt="/copyrighteous/images/andy-warhol-mickey.jpg" src="/copyrighteous/images/andy-warhol-mickey.jpg" />
<p>Back in 2007, <a class="reference external" href="http://harpers.org/">Harpers Magazine</a> published <a class="reference external" href="http://harpers.org/archive/2007/02/0081387">The Ecstasy of
Influence</a>: a beautiful article by Jonathan Lethem on reuse in art
and literature. Like <a class="reference external" href="http://www.lewishyde.com/">Lewis Hyde</a> in <a class="reference external" href="http://www.lewishyde.com/publications/the-gift">The Gift</a> (<em>quite</em> like
Hyde, as readers discover) Lethem blurs the line between plagiarism,
remix, and influence and points to his subject at the center of
artistic production. Lethem's gimmick, which most readers only
discover at the end, is that the article is constructed entirely out
of &quot;reused&quot; (i.e., plagiarized) quotations and paraphrases.</p>
<p>A couple months ago, I suggested to my friend <a class="reference external" href="http://www.mit.edu/~amonroy/">Andrés
Monroy-Hernández</a> a very similar project: a literature review on
academic work on remixing and remixing communities constructed
entirely of text lifted from existing research.</p>
<p>After some searching around, Andrés pointed out that Lethem had
essentially beaten us to the punch and linked me to his article. Only
after I visited the link did I remember that I had read Lethem's
article when it was published and loved the idea then. Over time, I'd
forgotten I read ever it.</p>
<p>Without knowing it, I had read, loved, forgotten, and then --
influenced, if unconsciously -- copied and reproduced the idea myself
in slightly modified form.</p>
<p>And I suppose that was the point.</p>

]]></description>
</item>

<item>
  <title>Wide Scream
</title>
  <link>http://mako.cc/copyrighteous/20111207-00</link>
  <description><![CDATA[
<object data="https://upload.wikimedia.org/wikipedia/commons/d/de/Aspect-ratio-4x3.svg" type="image/svg+xml">
https://upload.wikimedia.org/wikipedia/commons/d/de/Aspect-ratio-4x3.svg</object>
<object data="https://upload.wikimedia.org/wikipedia/commons/f/f8/Aspect-ratio-16x9.svg" type="image/svg+xml">
https://upload.wikimedia.org/wikipedia/commons/f/f8/Aspect-ratio-16x9.svg</object>
<p>It seems that nearly all computer monitors have now switched from a
4:3 <a class="reference external" href="https://en.wikipedia.org/wiki/Aspect_ratio_%28image%29">aspect ratio</a> popular several years ago to a &quot;wide screen&quot;
16:10 and now mostly to an even wider 16:9.</p>
<p>But screen sizes are usually measured by their diagonal length and
those sizes have not changed. For example, before I had my Thinkpad
X201, I had a X60 and a X35. They are similar laptops in the <a class="reference external" href="https://en.wikipedia.org/wiki/ThinkPad#X_series">same
product line</a> with 12.1&quot; screens. But 12.1&quot; describes the size along
the diagonal and the aspect ratio switched from 4:3 to 16:10 between
the X60 and the X201. As the screen stretched out but maintained the
same diagonal length, the area shrunk: from 453 square centimeters
to 425.</p>
<p>But screens are not only getting smaller, they are also getting less
useful. The switch to wider aspect ratios is done so that people can
watch wide screen movies while using a larger proportion of their
screens.  Of course, the vast majority of people's time on their
laptops is not spent watching wide screen movies but in programs like
browsers, word processors, and editors. Because most of our writing
systems lay out documents from top to bottom, the tools we most
frequently use to display (and then scroll through) the things we read
primarily use vertical screen space -- the dimension that is
shrinking.</p>
<p>If you have a desktop monitor, you might rotate the whole thing 90
degrees and &quot;solve&quot; the problem. If you're on a laptop though (as I
usually am) this is clearly not an option.</p>
<p>I am not the first person to be annoyed by this trend. In fact, many
recent desktop UI changes are designed to work around this issue.  In
the free software world, both <a class="reference external" href="http://unity.ubuntu.com/">Unity</a> and <a class="reference external" href="http://www.gnome.org/gnome-3/">GNOME 3</a> have made
efforts to hide, merge, or otherwise get ride of title bars, menu
bars, and panels that take up dwindling vertical space. I use
<a class="reference external" href="http://awesome.naquadah.org/">Awesome</a> which I've mostly set up to do two side-by-side terminals
with very little in the way of menu bars.</p>
<a class="reference external image-reference" href="/copyrighteous/images/awesome_screenshot_2011-full.png"><img alt="/copyrighteous/images/awesome_screenshot_2011-small.png" src="/copyrighteous/images/awesome_screenshot_2011-small.png" /></a>
<p>Applications are the worst offenders and the solutions for those
things that won't run in a terminal (or people that don't want to live
there) are still lacking. I have been using Firefox's <a class="reference external" href="https://addons.mozilla.org/en-US/firefox/addon/tree-style-tab/">Tree Style Tab
extension</a> to move tabs to the side and hand-customized toolbars
that squeeze everything I need (i.e., back, forward, stop, refresh,
and URL bar) onto a single menu bar.</p>
<a class="reference external image-reference" href="/copyrighteous/images/iceweasel_menu_eg_screenshot_2011-full.png"><img alt="/copyrighteous/images/iceweasel_menu_eg_screenshot_2011-small.png" src="/copyrighteous/images/iceweasel_menu_eg_screenshot_2011-small.png" /></a>
<p>But the situation still drives me crazy. I'd love to hear what others
are doing.</p>

]]></description>
</item>

<item>
  <title>Winter Travels in Seattle and Japan
</title>
  <link>http://mako.cc/copyrighteous/20111205-00</link>
  <description><![CDATA[
<a class="reference external image-reference" href="https://secure.flickr.com/photos/22557445&#64;N03/4180654578/"><img alt="/copyrighteous/images/space_needle_christmas-small.jpg" src="/copyrighteous/images/space_needle_christmas-small.jpg" /></a>
<a class="reference external image-reference" href="https://secure.flickr.com/photos/easegui/5479478988/"><img alt="/copyrighteous/images/sapporo_winter-small.jpg" src="/copyrighteous/images/sapporo_winter-small.jpg" /></a>
<p><a class="reference external" href="http://mika.im/nikki">Mika</a> and I will be traveling this winter in the Seattle area and in
Japan. The current plan is to be in Seattle December 19 through 28 and
then in Japan from December 28 through January 12. After that, we
will fly back to Boston for the <a class="reference external" href="http://web.mit.edu/puzzle/www/">MIT Mystery Hunt</a> where, as
punishment for winning last year, our team is running <a class="reference external" href="http://web.mit.edu/puzzle/www/currhunt.html">this year's
hunt</a>.</p>
<p>We will be in Tokyo for New Years and then traveling around Japan for
much of the rest of the time. We hope to visit Hokkaido and Aomori and
to travel there from Tokyo along Japan's Western coast through
Kanazawa and Niigata.</p>
<p>We're still figuring out where we will visit and what we will do in
both places. If you are interested in meeting up for dinner or drinks
in either place (or in organizing a talk or meeting), please <a class="reference external" href="http://mako.cc/contact">get in
touch</a> and let's try to figure something out.</p>

]]></description>
</item>

<item>
  <title>Bootstrapping
</title>
  <link>http://mako.cc/copyrighteous/20111129-00</link>
  <description><![CDATA[
<p><a class="reference external" href="http://www.androidzoom.com">AndroidZoom</a>, along with just about every other third-party interface
to the Android Market out there, provides 2D barcodes which aim to
make it easy to install Android applications that you find online on
a phone. Maybe this would be a nice feature for <a class="reference external" href="http://f-droid.org/repository/browse/">F-Droid</a>?</p>
<p>Unfortunately, I found this feature when I was trying to help a friend
install the (free software) <a class="reference external" href="https://code.google.com/p/zxing/">ZXing Barcode Scanner</a> because they
wanted to read a 2D barcode.</p>
<img src="/copyrighteous/images/barcode_scanner_barcode.png" style="border:1px solid black;" />
]]></description>
</item>

<item>
  <title>Voice Message of Peace
</title>
  <link>http://mako.cc/copyrighteous/20111127-00</link>
  <description><![CDATA[
<p>The <a class="reference external" href="http://wellness.mit.edu/">Community Wellness team at MIT</a> has a program on <a class="reference external" href="http://medweb.mit.edu/wellness/programs/stress.html">stress
reduction, mindfulness, and relaxation</a>. Among their services is a
guided three-minute relaxation exercise recording (available at
extension 3-2256 or 617-253-CALM). It's a very relaxing message.</p>
<p>At the end of the recording, there's a <a class="reference external" href="http://revealingerrors.com">revealing error</a> where a
standard voicemail robo-voice say &quot;no messages are waiting&quot; before you
system hangs up on you. Turns out, the MIT wellness folks implemented
this using the normal MIT voicemail system.</p>
<p>This gave me a thought: What if <em>my</em> voicemail greeting included a
guided relaxation message as part of its greeting so that anyone who
left a message had the chance to relax a little bit first? Would
messages left for me be more positive after a window of serenity?
Would people ask less of me?  Would my callers feel more relaxed and
happier during the rest of their day?</p>
<p>I just recorded a short version of the MIT message as my voicemail
greeting. I suppose I will find out.</p>

]]></description>
</item>

<item>
  <title>Iron Blogger
</title>
  <link>http://mako.cc/copyrighteous/20111120-00</link>
  <description><![CDATA[
<p>I want to blog frequently but usually don't seem to find the time for
it. I'm not above <a class="reference external" href="https://strategyprofs.wordpress.com/2011/11/19/incentives-to-blog-the-iron-blogger/">tying myself to the mast</a> if it means blogging
more.</p>
<p><a class="reference external" href="http://iron-blogger.mako.cc/">Iron Blogger</a> is a blogging and drinking club based on this
premise. <a class="reference external" href="http://iron-blogger.mako.cc/the-rules/">The rules</a> are pretty simple:</p>
<ul class="simple">
<li>Blog at least once a week.</li>
<li>If you fail to do so, pay $5 into a common pool.</li>
<li>When the pool is big enough, the group uses it to pay for drinks and
snacks at a meet-up for all the participants.</li>
</ul>
<p>Nelson Elhage ran <a class="reference external" href="http://iron-blogger.mit.edu/">the original</a> Iron Blogger for about a year
before the effort ran out of steam. I've started <a class="reference external" href="http://iron-blogger.mako.cc/">a new instance</a>
with a couple people from the previous group and <a class="reference external" href="http://iron-blogger.mako.cc/participants/">a bunch of folks</a>
from <a class="reference external" href="http://cyber.law.harvard.edu/">Berkman</a>, <a class="reference external" href="http://web.mit.edu">MIT</a>, and beyond.</p>
<p>If you live in Boston and want to join, there are still a couple of
spots available.  I'm going to cap the current group, at least
temporarily, at about 30 people because I think that's the maximum
we'll fit into a local pub. Look over <a class="reference external" href="http://iron-blogger.mako.cc/">the site</a> and <a class="reference external" href="mailto:mako&#64;atdot.cc">send me an
email</a> if you're interested.</p>
<p>If you don't live in Boston but want to organize your own Iron
Blogger, you can use the software in <a class="reference external" href="https://github.com/nelhage/iron-blogger">Nelson's git repository</a> (or
<a class="reference external" href="http://projects.mako.cc/source/?p=iron-blogger">my branch</a>) to automate nearly the whole process of tracking posts,
generating reports, and updating the ledger of debts.</p>

]]></description>
</item>

<item>
  <title>Famous in Scratch
</title>
  <link>http://mako.cc/copyrighteous/20111113-00</link>
  <description><![CDATA[
<p>A few years ago, I ran into my friend <a class="reference external" href="http://web.media.mit.edu/~silver/">Jay</a> in the <a class="reference external" href="https://en.wikipedia.org/wiki/Infinite_Corridor">MIT Infinite
Corridor</a>. He was looking for volunteers to have their pictures
taken and then added to the library of freely licensed and remixable
media that would ship with every version of <a class="reference external" href="http://scratch.mit.edu">Scratch</a> -- the graphical
programming language built by <a class="reference external" href="http://web.media.mit.edu/~mres/">Mitch Resnick's</a> <a class="reference external" href="http://llk.media.mit.edu/">Lifelong
Kindergarten group</a> that is designed to let kids create animations
and interactive games.</p>
<p>Jay suggested I make some emotive faces and I posed for three images
that made the final cut:</p>
<img alt="/copyrighteous/images/scratchlib-mako-laughing.gif" src="/copyrighteous/images/scratchlib-mako-laughing.gif" />
<img alt="/copyrighteous/images/scratchlib-mako-screaming.gif" src="/copyrighteous/images/scratchlib-mako-screaming.gif" />
<img alt="/copyrighteous/images/scratchlib-mako-stop.gif" src="/copyrighteous/images/scratchlib-mako-stop.gif" />
<p>But although I've spent quite a bit of time studying the Scratch
community in the last few years as it is grown to include millions of
participants and projects, I forgot about about Jay's photo shoot.</p>
<p>A couple months ago, <a class="reference external" href="http://wiki.mako.cc/Acetarium#Residency%20program">Acetarium resident</a> <a class="reference external" href="http://lombana.info/">Andres Lombana
Bermudez</a> pointed out that there was a <a class="reference external" href="http://scratch.mit.edu/tags/view/mako">mako tag</a> on the Scratch
website and that a whole bunch of users had been publishing projects
using the pictures of me which, apparently, shipped in Scratch under
my name. For example, in <a class="reference external" href="http://scratch.mit.edu/projects/eborokker495/373548">this project</a> in which I dance in front of
a enormous &quot;MAKO&quot; banner:</p>
<img alt="/copyrighteous/images/scratchweb-dance.png" src="/copyrighteous/images/scratchweb-dance.png" />
<p>That said, given the rather emotive nature of the pictures, I seem to
usually end up being <a class="reference external" href="http://scratch.mit.edu/projects/hamsandwitch678/381059">blown up</a> <a class="reference external" href="http://scratch.mit.edu/projects/nickdude51/628498">shot</a>, <a class="reference external" href="http://scratch.mit.edu/projects/ashowiscool/129543">shrunk</a>, <a class="reference external" href="http://scratch.mit.edu/projects/smartguy4992/4840">set on fire by
dragons</a>, or meeting other similarly unfortunate ends.</p>
<img alt="/copyrighteous/images/scratchweb-bad_mako.png" src="/copyrighteous/images/scratchweb-bad_mako.png" />
<img alt="/copyrighteous/images/scratchweb-looks_arent_everything.png" src="/copyrighteous/images/scratchweb-looks_arent_everything.png" />
<p>There's quite many more entertaining examples <a class="reference external" href="http://scratch.mit.edu/tags/view/mako">under the tag</a> and
<em>many</em> more elsewhere on the Scratch website although they are a
little trickier to track down.</p>
<p><a class="reference external" href="http://cyber.law.harvard.edu/people/jzittrain">Jonathan Zittrain</a> likes to say that the best technologies are
<a class="reference external" href="http://boingboing.net/2008/07/23/zittrains-the-future.html">generative</a> in the sense that they encourage their users to make
things with them that the designer never forsaw or anticipated. I feel
generative.</p>

]]></description>
</item>

<item>
  <title>Slouching Toward Autonomy
</title>
  <link>http://mako.cc/copyrighteous/20111002-00</link>
  <description><![CDATA[
<p>I care a lot about <a class="reference external" href="http://autonomo.us/about/">free network services</a>. Recently, I have been
given lots of reasons to be happy with the progress the free software
community has made in developing services that live up to <a class="reference external" href="http://autonomo.us/2008/07/franklin-street-statement/">my
standards</a>.  I have personally switched from a few proprietary
network services to alternative systems that respect my autonomy and
have been very happy both with the freedom I have gained and with the
no-longer-rudimentary feature sets that the free tools offer.</p>
<p>Although there is plenty left to do, here are four tools I'm using now
instead of the proprietary tools that many people use, or that I used
to use myself:</p>
<ul class="simple">
<li><a class="reference external" href="http://status.net/">StatusNet</a>/<a class="reference external" href="http://identi.ca/">identi.ca</a> for microblogging (instead of Twitter):
I have had <a class="reference external" href="http://identi.ca/mako">my account</a> since the almost the very beginning and am
very happy with the improvements in the recent <a class="reference external" href="http://status.net/2011/09/30/statusnet-1-0-0-its-the-end-of-the-world-as-we-know-it-and-i-feel-fine">1.0 rollout</a>.</li>
<li><a class="reference external" href="https://joindiaspora.com">Diaspora</a> for social networking (instead of Facebook): Diaspora
has made important strides forward recently and has become both
quite usable and quite useful. Not having used Facebook, I've not
managed to totally figure out where the system fits into my life,
but I do periodically post <a class="reference external" href="https://joindiaspora.com/public/mako">updates</a> that are more personal and less
polished than the ones on my blog. I still have not set up <a class="reference external" href="https://github.com/diaspora/diaspora/wiki/Installing-and-Running-Diaspora">my own
pod</a> but look forward to work that the Diaspora team is putting
into making that process easier.</li>
<li><a class="reference external" href="http://www.newsblur.com">NewsBlur</a> for feed reading/sharing (instead of Google Reader):
NewsBlur can be thought of as a replacement for Google Reader and
is, in my opinion, <em>much better</em> even before one considers issues of
autonomy. You can install <a class="reference external" href="https://github.com/samuelclay/NewsBlur">the code</a> yourself or pay the author a
small amount to host it for you (he will do it for free if you are
following under 64 feeds).</li>
<li><a class="reference external" href="http://sourceforge.net/projects/scuttle/">Scuttle</a> for social bookmarking (instead of Delicious): In the
wake of <a class="reference external" href="http://status.delicious.com/">Yahoo's sale and shutdown of Delicious</a>, there is a
renewed interest in free tools for social bookmarking. Scuttle, a
rather mature project, seems to have been one of several
beneficiaries. My Scuttle installation is at <a class="reference external" href="http://links.mako.cc">links.mako.cc</a>.</li>
</ul>
<p>In trying to switch away from proprietary services, I have found that
there still a lack of good information comparing the different systems
out there and giving folks advice on who might be able to help with
things like setup or hosting. I really value hearing from other people
about what they use and what they find useful but finding this
information online still seems to be a struggle.</p>
<p>The <a class="reference external" href="http://wiki.autonomo.us">autonomo.us wiki</a> seems like the natural place to host or
summarize this discussion and to collect and share information useful
for those of us slouching (or running) toward autonomy in our use of
network services. I invite folks to get involved in improving that
already useful resource.</p>
<p>For example, this week, I spent a few hours researching free social
bookmarking tools and produced a major update to the (already useful)
<a class="reference external" href="http://wiki.autonomo.us/Social_bookmarking">social bookmarking page</a> on the autonomo.us wiki. Of course, I can
imagine lots of ways to improve that page and to collect similar
information on other classes of network services. Please join me in
that effort!</p>

]]></description>
</item>

<item>
  <title>Science as Dance
</title>
  <link>http://mako.cc/copyrighteous/20110926-00</link>
  <description><![CDATA[
<p>The following selected bibliography showcases only a small portion of
the academics who have demonstrated that while it may take two to
tango, it only takes one to give a scholarly paper a silly cliche
title:</p>
<div class="csl-bib-body" style="line-height: 1.35; margin-left: 2em; margin-right: 2em; padding-left: 2em; text-indent:-2em; font-size: 0.95em;">
<div class="csl-entry" style="margin-bottom: 1em;">Briganti, G. 2006. “<strong>It Takes Two to Tango-The CH-53K is arguably the first serious US attempt to open the defense cooperation NATO has been seeking.</strong>” <i>Rotor and Wing</i> 40(7):60–63.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango-The%20CH-53K%20is%20arguably%20the%20first%20serious%20US%20attempt%20to%20open%20the%20defense%20cooperation%20NATO%20has%20been%20seeking.&amp;rft.jtitle=Rotor%20and%20Wing&amp;rft.volume=40&amp;rft.issue=7&amp;rft.aufirst=G.&amp;rft.aulast=Briganti&amp;rft.au=G.%20Briganti&amp;rft.date=2006&amp;rft.pages=60%E2%80%9363"/>
<div class="csl-entry" style="margin-bottom: 1em;">Coehran, J. 2006. “<strong>It Takes Two to Tango: Problems with Community Property Ownership of Copyrights and Patents in Texas.</strong>” <i>Baylor L. Rev.</i> 58:407.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango%3A%20Problems%20with%20Community%20Property%20Ownership%20of%20Copyrights%20and%20Patents%20in%20Texas&amp;rft.jtitle=Baylor%20L.%20Rev.&amp;rft.volume=58&amp;rft.aufirst=J.&amp;rft.aulast=Coehran&amp;rft.au=J.%20Coehran&amp;rft.date=2006&amp;rft.pages=407"/>
<div class="csl-entry" style="margin-bottom: 1em;">Diamond, M.J. 1984. “<strong>It takes two to tango: Some thoughts on the neglected importance of the hypnotist in an interactive hypnotherapeutic relationship.</strong>” <i>American Journal of Clinical Hypnosis</i> 27(1):3–13.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20Some%20thoughts%20on%20the%20neglected%20importance%20of%20the%20hypnotist%20in%20an%20interactive%20hypnotherapeutic%20relationship&amp;rft.jtitle=American%20Journal%20of%20Clinical%20Hypnosis&amp;rft.volume=27&amp;rft.issue=1&amp;rft.aufirst=M.J.&amp;rft.aulast=Diamond&amp;rft.au=M.J.%20Diamond&amp;rft.date=1984&amp;rft.pages=3%E2%80%9313"/>
<div class="csl-entry" style="margin-bottom: 1em;">Kraack, A. 1999. “<strong>It takes two to tango: The place of women in the construction of hegemonic masculinity in a student pub.</strong>” <i>Masculinities in Aotearoa/New Zealand</i> 153–165.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20The%20place%20of%20women%20in%20the%20construction%20of%20hegemonic%20masculinity%20in%20a%20student%20pub&amp;rft.jtitle=Masculinities%20in%20Aotearoa%2FNew%20Zealand&amp;rft.aufirst=A.&amp;rft.aulast=Kraack&amp;rft.au=A.%20Kraack&amp;rft.date=1999&amp;rft.pages=153%E2%80%93165"/>
<div class="csl-entry" style="margin-bottom: 1em;">Lackey, J. 2006. “<strong>It takes two to tango: beyond reductionism and non-reductionism in the epistemology of testimony.</strong>” <i>The Epistemology of testimony</i> 160–89.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20beyond%20reductionism%20and%20non-reductionism%20in%20the%20epistemology%20of%20testimony&amp;rft.jtitle=The%20Epistemology%20of%20testimony&amp;rft.aufirst=J.&amp;rft.aulast=Lackey&amp;rft.au=J.%20Lackey&amp;rft.date=2006&amp;rft.pages=160%E2%80%9389"/>
<div class="csl-entry" style="margin-bottom: 1em;">Miller, C.A. 1998. “<strong>It takes two to tango: understanding and acquiring symmetrical verbs.</strong>” <i>Journal of psycholinguistic research</i> 27(3):385–411.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20understanding%20and%20acquiring%20symmetrical%20verbs&amp;rft.jtitle=Journal%20of%20psycholinguistic%20research&amp;rft.volume=27&amp;rft.issue=3&amp;rft.aufirst=C.A.&amp;rft.aulast=Miller&amp;rft.au=C.A.%20Miller&amp;rft.date=1998&amp;rft.pages=385%E2%80%93411"/>
<div class="csl-entry" style="margin-bottom: 1em;">Modiano, N. 1984. “<strong>It Takes Two to Tango, or… Transmission is a Two-Way Street.</strong>” <i>Anthropology &amp; Education Quarterly</i> 15(4):326–330.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango%2C%20or%E2%80%A6%20Transmission%20is%20a%20Two-Way%20Street&amp;rft.jtitle=Anthropology%20%26%20Education%20Quarterly&amp;rft.volume=15&amp;rft.issue=4&amp;rft.aufirst=N.&amp;rft.aulast=Modiano&amp;rft.au=N.%20Modiano&amp;rft.date=1984&amp;rft.pages=326%E2%80%93330"/>
<div class="csl-entry" style="margin-bottom: 1em;">Ott, M.A. 2008. “<strong>It Takes Two to Tango: Ethical Issues Raised by the Study of Topical Microbicides with Adolescent Dyads.</strong>” <i>The Journal of adolescent health: official publication of the Society for Adolescent Medicine</i> 42(6):541.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango%3A%20Ethical%20Issues%20Raised%20by%20the%20Study%20of%20Topical%20Microbicides%20with%20Adolescent%20Dyads&amp;rft.jtitle=The%20Journal%20of%20adolescent%20health%3A%20official%20publication%20of%20the%20Society%20for%20Adolescent%20Medicine&amp;rft.volume=42&amp;rft.issue=6&amp;rft.aufirst=M.A.&amp;rft.aulast=Ott&amp;rft.au=M.A.%20Ott&amp;rft.date=2008&amp;rft.pages=541"/>
<div class="csl-entry" style="margin-bottom: 1em;">Rubenstein, J.H. 2009. “<strong>It takes two to tango: dance steps for diagnosing Barrett’s esophagus.</strong>” <i>Respiratory Care Clinics of North America</i> 69(6):1011–1013.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20dance%20steps%20for%20diagnosing%20Barrett's%20esophagus&amp;rft.jtitle=Respiratory%20Care%20Clinics%20of%20North%20America&amp;rft.volume=69&amp;rft.issue=6&amp;rft.aufirst=J.H.&amp;rft.aulast=Rubenstein&amp;rft.au=J.H.%20Rubenstein&amp;rft.date=2009&amp;rft.pages=1011%E2%80%931013"/>
<div class="csl-entry" style="margin-bottom: 1em;">Settersten Jr, R.A. 2009. “<strong>It takes two to tango: the (un) easy dance between life-course sociology and life-span psychology.</strong>” <i>Advances in Life Course Research</i> 14(1-2):74–81.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20the%20(un)%20easy%20dance%20between%20life-course%20sociology%20and%20life-span%20psychology&amp;rft.jtitle=Advances%20in%20Life%20Course%20Research&amp;rft.volume=14&amp;rft.issue=1-2&amp;rft.aufirst=R.A.&amp;rft.aulast=Settersten%20Jr&amp;rft.au=R.A.%20Settersten%20Jr&amp;rft.date=2009&amp;rft.pages=74%E2%80%9381"/>
<div class="csl-entry" style="margin-bottom: 1em;">Skaerbaek, E. 2004. “<strong>It takes two to tango–on knowledge production and intersubjectivity.</strong>” <i>NORA: Nordic Journal of Women's Studies</i> 12(2):93–101.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%E2%80%93on%20knowledge%20production%20and%20intersubjectivity&amp;rft.jtitle=NORA%3A%20Nordic%20Journal%20of%20Women%26%23%20039%3B%20s%20Studies&amp;rft.volume=12&amp;rft.issue=2&amp;rft.aufirst=E.&amp;rft.aulast=Skaerbaek&amp;rft.au=E.%20Skaerbaek&amp;rft.date=2004&amp;rft.pages=93%E2%80%93101"/>
<div class="csl-entry" style="margin-bottom: 1em;">Spencer, M. 2005. “<strong>It takes two to tango.</strong>” <i>Journal of Business Strategy</i> 26(5):62–68.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango&amp;rft.jtitle=Journal%20of%20Business%20Strategy&amp;rft.volume=26&amp;rft.issue=5&amp;rft.aufirst=M.&amp;rft.aulast=Spencer&amp;rft.au=M.%20Spencer&amp;rft.date=2005&amp;rft.pages=62%E2%80%9368"/>
<div class="csl-entry" style="margin-bottom: 1em;">Vanaerschot, G. 2004. “<strong>It Takes Two to Tango: On Empathy With Fragile Processes.</strong>” <i>Psychotherapy: Theory, Research, Practice, Training</i> 41(2):112.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango%3A%20On%20Empathy%20With%20Fragile%20Processes.&amp;rft.jtitle=Psychotherapy%3A%20Theory%2C%20Research%2C%20Practice%2C%20Training&amp;rft.volume=41&amp;rft.issue=2&amp;rft.aufirst=G.&amp;rft.aulast=Vanaerschot&amp;rft.au=G.%20Vanaerschot&amp;rft.date=2004&amp;rft.pages=112"/>
<div class="csl-entry" style="margin-bottom: 1em;">Viskochil, D.H. 2003. “<strong>It takes two to tango: mast cell and Schwann cell interactions in neurofibromas.</strong>” <i>Journal of Clinical Investigation</i> 112(12):1791–1792.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20takes%20two%20to%20tango%3A%20mast%20cell%20and%20Schwann%20cell%20interactions%20in%20neurofibromas&amp;rft.jtitle=Journal%20of%20Clinical%20Investigation&amp;rft.volume=112&amp;rft.issue=12&amp;rft.aufirst=D.H.&amp;rft.aulast=Viskochil&amp;rft.au=D.H.%20Viskochil&amp;rft.date=2003&amp;rft.pages=1791%E2%80%931792"/>
<div class="csl-entry" style="margin-bottom: 1em;">Weiner, A. 2001. “<strong>It Takes Two to Tango:: Information, Metabolism, and the Origins of Life.</strong>” <i>Cell</i> 105(3):307–308.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=It%20Takes%20Two%20to%20Tango%3A%3A%20Information%2C%20Metabolism%2C%20and%20the%20Origins%20of%20Life&amp;rft.jtitle=Cell&amp;rft.volume=105&amp;rft.issue=3&amp;rft.aufirst=A.&amp;rft.aulast=Weiner&amp;rft.au=A.%20Weiner&amp;rft.date=2001&amp;rft.pages=307%E2%80%93308"/>
<div class="csl-entry">Wittman, M.L. 1990. <strong>It Takes Two to Tango: Your Simplistic System for Self-survival</strong>. Witmark Pub. Co.</div>
<span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rfr_id=info%3Asid%2Fzotero.org%3A2&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=It%20Takes%20Two%20to%20Tango%3A%20Your%20Simplistic%20System%20for%20Self-survival&amp;rft.publisher=Witmark%20Pub.%20Co.&amp;rft.aufirst=M.L.&amp;rft.aulast=Wittman&amp;rft.au=M.L.%20Wittman&amp;rft.date=1990"/>
</div><p>There are also <a class="reference external" href="http://scholar.google.com/scholar?q=intitle%3A&quot;it+takes+two+to+tango&quot;">a few hundred groups</a> who have demonstrated that
larger groups can so as well.</p>

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